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ORIE < Opera Quarterly < PAID
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List of bibliographic references indexed by Opera Quarterly
Number of relevant bibliographic references: 143.
[0-50] [
0 - 20][
0 - 50][
50-70]
| Ident. | Authors (with country if any) | Title |
|---|
| 001863 (2006) |
George Jellinek | Rusalka. Antonín Dvořák |
| 001865 (2006) |
Davinia Caddy | Rethinking Dance History: A Reader, ed. Alexandra Carter |
| 001876 (2006) |
Rebecca Rossen | Moving Through the Interspace |
| 001877 (2006) |
Matthew W. Smith | Michal Grover-Friedlander: Vocal Apparitions: The Attraction of Cinema to Opera |
| 001882 (2006) |
Wayne Heisler | Kurt Weill and Bertolt Brecht: The Seven Deadly Sins (Die sieben Todsünden) |
| 001885 (2006) |
Daniel Albright | Golden Calves: The Role of Dance in Opera |
| 001900 (2006) |
Gene Cropsey | Beverly Soll: I Dream a World: The Operas of William Grant Still |
| 001908 (2006) |
Gundula Kreuzer | A Note from the Reviews Editor |
| 001909 (2006) |
| A Note from the Executive Editor: |
| 001A25 (2005) |
John Deathridge | Wagner’s “Pale” Senta |
| 001A26 (2005) |
Carolyn Abbate | Wagner, Cinema, and Redemptive Glee |
| 001A27 (2005) |
Nicholas E. Limansky | Vincenzo Bellini: Norma |
| 001A29 (2005) |
William Albright | Victoria Etnier Villamil: From Johnson’s Kids to Lemonade Opera: The American Classical Singer Comes of Age |
| 001A30 (2005) |
George Martin | Verdi, Politics, and “Va, pensiero” |
| 001A31 (2005) |
George Martin | Verdi Onstage in the United States |
| 001A33 (2005) |
Daniel K. L. Chua | Untimely Reflections on Operatic Echoes: |
| 001A34 (2005) |
Lydia Goehr | Undoing the Discourse of Fate: The Case of Der fliegende Holländer |
| 001A35 (2005) |
Roland Graeme | Umberto Giordano: Mala vita and Siberia |
| 001A38 (2005) |
Jeffrey L. Buller | Thomas May: Decoding Wagner: An Invitation to His World of Music Drama |
| 001A47 (2005) |
Joe Law | The Mines of Sulphur. Richard Rodney Bennett |
| 001A48 (2005) |
Daniel Albright | The Diabolical Senta |
| 001A52 (2005) |
M. E. Henstock | Susana Salgado: The Teatro Solís: 150 Years of Opera, Concert, and Ballet in Montevideo |
| 001A54 (2005) |
Axel Klein | Stage-Irish, or the National in Irish Opera, 1780–1925 |
| 001A55 (2005) |
Nadia Sikorsky | Solomon Markovich Khromchenko |
| 001A56 (2005) |
Andrew Farkas | Rigoletto: Live Master Classes: Tito Gobbi Opera Workshop |
| 001A57 (2005) |
Jeffrey L. Buller | Review: Wagner and Suicide |
| 001A58 (2005) |
Lesley A. Wright | Review: The Cambridge Companion to Grand Opera |
| 001A59 (2005) |
John Louis Digaetani | Review: Opera—The Art of Dying |
| 001A60 (2005) |
Christopher Hatch | Review: Opera in Theory and Practice, Image and Myth |
| 001A61 (2005) |
James L. Zychowicz | Review: Opera and Modern Culture: Wagner and Strauss |
| 001A63 (2005) |
Malcolm S. Cole | Review: From Garrick to Gluck: Essays on Opera in the Age of Enlightenment |
| 001A65 (2005) |
John Louis Digaetani | Review: Death-Devoted Heart: Sex and the Sacred in Wagner’s “Tristan and Isolde” |
| 001A67 (2005) |
David Bruce | Quarterly Quiz |
| 001A76 (2005) |
Eli Friedlander | On the Musical Gathering of Echoes of the Voice |
| 001A77 (2005) |
Jean Starobinski | Ombra Adorata |
| 001A78 (2005) |
William Albright | Oberon. Carl Maria von Weber |
| 001A79 (2005) |
Nicholas E. Limansky | Natalie Dessay: Airs d’operas français |
| 001A81 (2005) |
Robert Baxter | Mozart: Le nozze di Figaro |
| 001A84 (2005) |
Nicholas E. Limansky | Mercadante: Emma d’Antiochia |
| 001A88 (2005) |
William Albright | Les pêcheurs de perles. Georges Bizet |
| 001A89 (2005) |
Daniel Foley | La marescialla d’Ancre. Alessandro Nini |
| 001A90 (2005) |
Lydia Goehr | Juliette fährt nach Mahagonny or a Critical Reading of Surrealist Opera |
| 001A95 (2005) |
Harlan Jennings | Her Majesty’s Opera Company in Kansas City |
| 001B09 (2005) |
George Martin | David A. J. Richards: Tragic Manhood and Democracy: Verdi’s Voice and the Powers of Musical Art |
| 001B14 (2005) |
| Contributors to This Issue |
| 001B17 (2005) |
William Albright | Clyde T. McCants: American Opera Singers and Their Recordings: Critical Commentaries and Discographies |
| 001B18 (2005) |
Roland Graeme | Carlo Soliva: Giulia e Sesto Pompeo. |
| 001B22 (2005) |
Harold Bruder | Barbara Kendall-Davies: The Life and Work of Pauline Viardot García, Volume I: The Years of Fame, 1836–1863 |
| 001B25 (2005) |
Alexander Rehding | Apologia for Erik |
| 001B26 (2005) |
Tom Kaufman | Anthony Tommasini: Opera: A Critic’s Guide to the 100 Most Important Works and the Best Recordings |
| 001B28 (2005) |
David J. Levin | A Picture-Perfect Man? Senta, Absorption, and Wagnerian Theatricality |
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